Critics and Audiences Concur on Just One Out of the 16 DCEU Films as the Franchise Concludes

As the DCEU draws its curtain after a decade-long run, finding common ground between critics and audiences across its 16 films has proven to be a challenging feat. Among this diverse cinematic universe, only one movie has achieved the rare distinction of securing identical scores from both critics and audiences – 2020’s ‘Birds of Prey.’ With a 78 percent Tomatometer score and an audience score mirroring that figure on Rotten Tomatoes, Margot Robbie’s performance as Harley Quinn in this standalone film stands as a unique unifying force in the DCEU landscape.

This exceptional alignment between critics and audiences in ‘Birds of Prey’ emphasizes its broad appeal and successful execution, navigating the complexities of both critical acclaim and audience satisfaction. The film, directed by Cathy Yan, showcases not only the resilience and complexity of its characters but also the ability to strike a balance between entertainment and critical merit.

While ‘Birds of Prey’ holds the exclusive distinction of identical Rotten Tomatoes scores, several other DCEU entries came remarkably close to achieving such consensus. ‘Aquaman’ (2018), starring Jason Momoa as Arthur Curry, boasts a slender 6 percent gap between its 66 percent critics’ score and a 72 percent audience score. This suggests a noteworthy level of agreement between the professional critics and the general audience, reflecting a film that managed to bridge the gap in expectations.

Following closely behind are ‘Shazam!’ (2019) and ‘The Suicide Squad’ (2021), both sharing an 8 percent gap. These films, with exhilarating narratives and distinct directorial styles from David F. Sandberg and James Gunn, respectively, garnered a remarkable 90 percent on the Tomatometer and an 82 percent audience score. Interestingly, both films prominently feature Margot Robbie’s Harley Quinn, further underlining her influence in aligning opinions between critics and fans.

The consistency in the alignment of scores among these films raises questions about the impact of character portrayal and directorial choices on the convergence of opinions. Margot Robbie’s portrayal of Harley Quinn, a character deeply embedded in the DCEU, appears to contribute significantly to this alignment. Notably, James Gunn’s expressed desire to retain Robbie as the DCU’s Harley Quinn opens the door to the prospect of continued harmony between critics and audience scores in future DCEU endeavors.

As the DCEU undergoes a metamorphosis and explores new narrative territories, the interplay between critical reception and audience approval remains a fascinating aspect to monitor. The varied perspectives on each film within the DCEU contribute to the dynamic nature of this cinematic universe, making the achievement of consensus a noteworthy occurrence that adds a layer of complexity to the broader discourse surrounding DC’s superhero storytelling.

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