“Into the Spider-Verse” liberates American animators, allowing creative freedom

A shot of Miles Morales as Spider-Man, falling through the air

After years of emulating realism and mimicking Disney and Pixar, animators now have the freedom to explore different styles, thanks to the groundbreaking influence of Spider-Man: Into the Spider-Verse. This film not only redefined superhero and animated movies but also challenged the conventional aesthetic that dominated American animation for decades. Departing from the pursuit of hyper-realism, animators are now encouraged to embrace more impressionistic and dynamic designs, breaking away from the monotonous visual style that characterized the industry.

Historically, American animation studios adhered to established styles, with Disney and Pixar setting the standards. The quest for realism became the norm, shaping the industry’s visual identity. However, this approach became repetitive and limiting for both audiences and animators. The success of Spider-Man: Into the Spider-Verse in 2018 revolutionized the landscape by showcasing animation as a versatile and boundary-pushing medium. It not only demonstrated alternative visual possibilities but also empowered directors and animators to explore more personalized and stylized artistic expressions.

The sequel, Spider-Man: Across the Spider-Verse, takes the visual experimentation even further, incorporating a diverse array of styles. This progression has liberated animators to move away from the constraints of realism and venture into more creative and artistic realms. While not every animator is abandoning realism entirely, the newfound choice is a welcome departure from the industry’s previous uniformity.

Puss in Boots, an animated orange tabby in boots and a swashbuckler hat, charges at the camera in a blur of motion lines against a stylized blue-and-purple background in the trailer for Puss in Boots: The Last Wish

The constraints on animation, both in terms of technological limitations and executive decisions, restricted the industry’s visual diversity for years. However, Into the Spider-Verse’s success demonstrated that audiences are receptive to stylistic experimentation. This breakthrough has allowed American directors to break free from the confines of a singular style that dominated the past two decades. International studios, unconstrained by these expectations, have consistently pushed the boundaries of animation, contributing to a rich tapestry of diverse styles.

Into the Spider-Verse marked a significant departure from the Pixar-influenced CG animation style, offering a distinct look that resonated with American audiences. Its critical acclaim and commercial success opened doors for animators to embrace diversity and experimentation. The sequel, Spider-Man: Across the Spider-Verse, continues to expand on this visual stylization, inspiring animators to explore a wide range of possibilities.

Mr. Shark, Mr. Wolf, Mr. Piranha, Mr. Snake (Marc Maron) in costume and surrounded by cops in The Bad Guys

The film industry is witnessing a shift away from the standardized version of CGI, thanks to influential works like Spider-Verse. As Sergio Pablos, director of Klaus, emphasized, each film should be an opportunity to attempt something different, breaking away from the standardized norms that have dominated the industry.

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